Cajun Mutt Press Featured Writer 08/28/23

MY Coke Fiend

she used to visit
at the most inappropriate times;
usually in the midst of the night
never caring whether
someone else lay
on my bed, couch, floor.

she always, however,
brought at least
two 8balls of pure cocaine.

she had good manners,
My Fey.

often,
she’d scare a good woman
out of my apartment,
mainly because she was tough,
and acted even tougher.

usually, though,
she was already loaded
and that was more than enough
to horrify some of the college students
I met in bars.

I never shooed her away;
she was MY coke fiend,
my friend, my lover.

when she came,
and after we had settled whatever
differences might have arose
with those already in my apartment,

we went for the blow;
four lines each, to warm up.
then,

we cracked a bottle of bourbon;
usually cheap and unknown brand,
sometimes, during good times,
Four Roses or Wild Turkey.

we drank,
and had nothing to talk about,
although we never remained silent
for more than 5 minutes.

her dream was to survive;
mine, to die.

she held my hand
when things got too dark
and the mist turned unbearable.

I kept her in my arms
when her heart was stabbed,
or when
someone tried to pull a fast one on her
(although, most who tried
had very bad endings in
their short stories unworthy of being written).

the coke was always the common bond;
after several lines,
after burning our noses,
and after emptying at least one bourbon bottle,

we went to bed
or remained on the blue couch.

they were heated, passionate fucking sessions,
we both sweated profusely.
usually, I was the first to give up
after years of drinking, smoking,
and the only exercise I’ve done
being lifting glasses of draft beer.

she’d kiss me,
let me catch my breath;
she often laughed,
warmly,
before going back down,
trying to resurrect my dying pieces.

there wasn’t much more in all this;
few months of madness
tied up to one name, one face,
and all those that came and left
in between.

for me,
it’s how life has been,
ought to have been.
short breaks of insanity,
amid the wider circle of sheer madness.

it’s what always worked for me,
nothing else ever did.

and so,
with an 8ball on my desk,
living in a faraway place,
having no idea whether Fey
is still alive or buried somewhere
unceremoniously and unmourned,
I remember those months of
wonderful moments lost
in a blurry haze
and raise a toast to her,

hoping she’s still alright,
still kicking ass,
and that she’ll one day read this
and weep a single tear of joy.

Even Cockroaches have Souls

in a rundown apartment we sat, boozing
another night away isolated from
the world.

we talked aboutnumerous things I’ve
already forgotten, except for
one tiny thing:

“even cockroaches have souls,”

she said when I tried
to step on one that was strolling around us.

I didn’t kill the fucker;
besides, it might have
had more things to live for
than us.

I had a long snort of scotch, then poured
some on the floor. it took a
taste, then stumbled away from us.

we drained the bottle fast.

angry drunk tantrums broke the silence of the night;
someone was chasing the same cockroach
I had shared a drink with.

I felt bad; a drunk kiss sufficed
to make me forget.

©2023 George Gad Economou All rights reserved.

George Gad Economou

Currently residing in Greece, George Gad Economou has a Master’s degree in Philosophy of Science and is the author of Letters to S. (Storylandia), Bourbon Bottles and Broken Beds (Adelaide Books), and Of the Riverside (Anxiety Press). His words have also appeared in various places, such as Spillwords Press, Ariel Chart, Cajun Mutt Press, Fixator Press, Outcast Press, Piker’s Press, The Edge of Humanity Magazine, The Rye Whiskey Review, and Modern Drunkard Magazine.

Cajun Mutt Press Featured Writer 08/23/23

The Film Critic

The film critic sat sullen-hearted in the suburban all theater wishing it was dingy hard boiled
1970’s decaying metropolitan porno theater instead
There was a time when cinema was real
more real than real itself
reels of reality
restoration of being
resurrecting thought
profound contemplation while jerking off to depressing Russian literature and French
existentialism

amid cowboys snorting coke lassoing used cars at the sundance advertisements and say “no” to
drugs propaganda and sports
the trailers played
which used to be the best part of going to the movies

franchise fatigued
wars in the stars
twilight of the superhumans
stillborn resurrections from days of the future past
toys from decades ago brought back into our neo-retro present chasing fleeting visions future
tense spoiled by demonic nostalgia tainting something once there ever allusive

the film critic couldn’t quite put their finger on it

they packed a gun
fully
intending
on
using

it
fondly reflecting on stolen solitary Saturday nights
lime in a cheap imitation Mexican beer
as short-lived domestic
sipped lightly between bites of frozen pepperoni pizza
a taxi driver flying over the cuckoo’s nest apocalypse now desiring a street car
pale rider rom-coms played on fueling the fault in our stars
hindering true romance for a lack of love

they’d never purchased snacks of this sort before
a slim snap of spicy meat
nut-coated rainbow iced cream
bagged
sticked

unlike Oedipus, there was no mother to fuck
just the incest of greasy engineered populism for entertainment
no kingdom to abandon
but the wasteland
at the zero-hour
at this midnight theater

they broke

movie spectators, half on their phones
glued idiotically to screens
somewhere there
or other

what do you want me to say? You know where this is going…the film critic gouged out their
own eyes from the sheer banality of it all silently screaming having no real voice at all, crimson
flood from sockets soaking where an erection had ever seldom been used

and the quiet vampires
not noticing
lingered

©2023 Mike Zone All rights reserved.

Brother Zone

Mike Zone is the Editor-in-Chief of Dumpster Fire Press, co-founder of Deadstar:Control, and manager of the band Tail From the Crypt along with being a producer for the record label Paranormal Vinyl Cassettes Hair Extensions. He is the author of Wonderful Turbulence, Fuck You: A Fucking Poetry Chap, The Earth Was Shaking For Days, Shedding Dark Places. Also coauthor of The Grind and Razorville. A frequent contributor to Alien Buddha Press and Mad Swirl. His work has been featured in: A Thin Slice of Anxiety, Black Shamrock Magazine, Horror Sleaze Trash, Better Than Starbucks, Piker Press, Punk Noir Magazine, Synchronized Chaos, and Cult Culture Magazine.

Cajun Mutt Press Featured Writer 02/03/23

The Reach

Running from
the cops
I get away
with nothing
too high
I fall twice.
Jeans torn
bloody at
the knees
that hurt
for weeks
for smoking
weed in the park
and holding half
a hard-earned
minimum wage
C note of
coke in
my back pocket
I’d just scored.
Which was sure
to make Olivia
spread her legs further
or so she’d promised.
I couldn’t/wouldn’t
throw that chance away.
Running blind instead
fell, fucked my knees
bad on concrete
stairs that
for years
on rainy days
I could still feel.
A whistle in the bones
yet a half smile
at Olivia letting me
have her near
the baseball field
and still moaned
pretty when I couldn’t
find her clit
after beer and lines
days later.
I can taste
the sweat now
as I ran
fear and adrenaline
and equal parts of lust
limping me past
reach of police lights
and the law.

©2023 Rp Verlaine All rights reserved.

Rp Verlaine

Rp Verlaine lives and writes in New York City. He has an MFA in creative writing from City College and taught English in New York public schools until he retired. He has several collections of poetry including Damaged by Dames & Drinking (2017), Femme Fatales Movie Starlets & Rockers (2018), and Lies From The Autobiography 1-3 (2018-2020).

Cajun Mutt Press Featured Writer 12/19/22

the meat house

is where serial killers
eat lunch, sip soft drinks
scratch notes

when I hit her on the head, it was good
if you believe you’ve lived your life the right way
then you have nothing to fear

& moonlight as electricians
plumbers, clowns, suburban
dads in faded Cancun t-shirts

who make jokes
& answer phones
with a… “yelllllow”

which is also
the color of the meat house
& the dress the little girl is wearing

hand, foot & mouth
trapped in the arch of a tube maze.
The sign says ‘No Shoes.’

I eat, my gut
a garbage disposal
of playfully placed bones

1980s love poem

& the way
the acid kicks
in some
where unexpected

fates conspire, while we
in love & returning video tapes—
Total Video, on the other side
of the Dietz St. parking lot

now a spatial anomaly
of satanic panic & milk carton faces;
didn’t some college girl
get murdered here you say

another late
fee
on our
nasty

the 19th hole

we swing
through the 19th hole
to score some coke

off a guy
whose sunglasses
are stacked like a cash drawer
on his hat brim

underscoring
the fact we’re at a country club
& not Needle Park.

A few rails of the tasting menu
& he’s teeing off
talking approach shots

says a threesome
is a tradition
unlike any other

so I drive
a hand over my crown
skirt the rough

& he, anticipating
the tightly
mown grass
of a fairway

flees
as if a spider
crawled out of a hole.

We take the sunglasses
he left on the bar
& hock them at a pawn shop
for some better blow.

©2022 Damon Hubbs All rights reserved.

Damon Hubbs

Damon Hubbs is interested in leisurely games of tennis & perfectly moist coffee cake. His poems have been published in numerous journals with recent works featured in Otoliths, Synchronized Chaos, Streetcake, Roi Fainéant Press, Don’t Submit!, Lothlorien Poetry Journal, Book of Matches, Exist Otherwise & Horror Sleaze Trash. He lives in New England.

Cajun Mutt Press Featured Writer 11/05/11

daybreak—
the line he snorts
from between my tits

getting off
to his newest photo
prison pen pal

trying to fight her
after she’s gone—
Tequila Sunrise

©2021 Lori A Minor All rights reserved.

Lori A Minor

Lori A Minor is a queer, chronically ill poet and editor (#FemkuMag, Otoroshi Journal) who uses writing to heal from trauma. Her work has been featured in several journals such as Impspired, Failed Haiku, and is/let. Lori has placed in several contests, including the Touchstone Award shortlist (2017, 2019), and was selected for A New Resonance 12. She is honored to have given a presentation on social awareness in haiku at the 2019 Haiku North America Conference and looks forward to being on the schedule again this year. Lori is the author of five haikai poetry chapbooks, including Recycled Virgin.