Cajun Mutt Press Featured Writer 05/13/24

NAFF OFF

So after another shot or three
of Bushmill’s Irish Whiskey,
chased by a couple
of Natty Lights,
I found myself standing
in the middle of
a large and flat green field.

Standing out there with me
were John Lennon and George Harrison,
looking just as they did
on the cover of the Sgt. Pepper album.
Standing out there with them
was a fat gopher. Seriously.

So, John and George and the gopher
and I spent some time together
frolicking about the green field,
much like the Beatles did
in A Hard Day’s Night—
only without any music playing.
After a few minutes, I stopped
and asked where the music was.

“Copyright issues, mate,”
said George, with a stone face.
“We weren’t going to shell out
all those quid just for you.
You ain’t Mick Jagger, after all.”

“Still,” I said, “it’s nice of you Brits,
keeping your green fields watered,
weeded and mowed just
for frolicking. One never knows when
the mood for a ripping good frolic
will strike one, truly.”

George Harrison shook his head.
“This is a cricket pitch, professor.
I swear, you bloody Yanks
think everything’s about you.”

I noticed the gopher, which was
crouched nearby licking his privates.
“Nice gopher. Just like your song.
‘I am the gopher, coo-coo-ca-chew.’”

John Lennon squinted through his glasses.
“Sodding hell, George! This twit
doesn’t even know the damned song.
It’s a walrus, you kettle-head!”

“Why the gopher, then?” I asked.

“I thought he came with you,” said John.

“I thought he represented your basic,
more animalistic impulses,” said George.

It was my turn to shake my head.
“You guys aren’t what I expected.
You’re quite a pair of Sour Sally’s.
Whatever happened to all that
peace, love and flowers stuff?

“We only trot that out for real fans,”
said John. “George, this git is a bore.
Let’s go teach the gopher to meditate.”

“Right behind you, John,” agreed George.
“And as for you, Yankee Doodle—
if you’ve any more frolicking to do,
you can bloody well do it
with Davy Jones and Peter Tork.”

The gopher glared at me.
“Naff off,” he huffed,
trailing after John and George.

I woke up on the sofa
in my front room.
I took out my phone
and conjured up
Daydream Believer on YouTube.
I preferred the Monkees, anyway.

©2024 Jack Phillips Lowe All rights reserved.

Brother Lowe

Jack Phillips Lowe is a resident of the Chicago area. His poems have appeared in Clutch 2023, Bold Monkey Review (Australia) and Poetry Super Highway, among other outlets. His most recent book, Flashbulb Danger (Middle Island Press, 2018), is available from Amazon. Lowe is currently working on a new poetry chapbook.

Cajun Mutt Press Featured Writer 08/23/23

The Film Critic

The film critic sat sullen-hearted in the suburban all theater wishing it was dingy hard boiled
1970’s decaying metropolitan porno theater instead
There was a time when cinema was real
more real than real itself
reels of reality
restoration of being
resurrecting thought
profound contemplation while jerking off to depressing Russian literature and French
existentialism

amid cowboys snorting coke lassoing used cars at the sundance advertisements and say “no” to
drugs propaganda and sports
the trailers played
which used to be the best part of going to the movies

franchise fatigued
wars in the stars
twilight of the superhumans
stillborn resurrections from days of the future past
toys from decades ago brought back into our neo-retro present chasing fleeting visions future
tense spoiled by demonic nostalgia tainting something once there ever allusive

the film critic couldn’t quite put their finger on it

they packed a gun
fully
intending
on
using

it
fondly reflecting on stolen solitary Saturday nights
lime in a cheap imitation Mexican beer
as short-lived domestic
sipped lightly between bites of frozen pepperoni pizza
a taxi driver flying over the cuckoo’s nest apocalypse now desiring a street car
pale rider rom-coms played on fueling the fault in our stars
hindering true romance for a lack of love

they’d never purchased snacks of this sort before
a slim snap of spicy meat
nut-coated rainbow iced cream
bagged
sticked

unlike Oedipus, there was no mother to fuck
just the incest of greasy engineered populism for entertainment
no kingdom to abandon
but the wasteland
at the zero-hour
at this midnight theater

they broke

movie spectators, half on their phones
glued idiotically to screens
somewhere there
or other

what do you want me to say? You know where this is going…the film critic gouged out their
own eyes from the sheer banality of it all silently screaming having no real voice at all, crimson
flood from sockets soaking where an erection had ever seldom been used

and the quiet vampires
not noticing
lingered

©2023 Mike Zone All rights reserved.

Brother Zone

Mike Zone is the Editor-in-Chief of Dumpster Fire Press, co-founder of Deadstar:Control, and manager of the band Tail From the Crypt along with being a producer for the record label Paranormal Vinyl Cassettes Hair Extensions. He is the author of Wonderful Turbulence, Fuck You: A Fucking Poetry Chap, The Earth Was Shaking For Days, Shedding Dark Places. Also coauthor of The Grind and Razorville. A frequent contributor to Alien Buddha Press and Mad Swirl. His work has been featured in: A Thin Slice of Anxiety, Black Shamrock Magazine, Horror Sleaze Trash, Better Than Starbucks, Piker Press, Punk Noir Magazine, Synchronized Chaos, and Cult Culture Magazine.