Cajun Mutt Press Featured Writer 12/27/23

Worming One’s Way In Languor

Their eyes slide over you when you
walk in the dim bar and inch through
the milling, processional crowd bidding
to be next served at the long counter.
The heavily made up women sit close
at their corner table nursing drinks,
their drinking funds palliative.
Either one will have you but not until
they finish the drinks they are on, then
the obligatory ones you will buy them.
They have that “Take me… But not
just yet” look loitering in their eyes
as heavy and half shut as yours:
you wave at the bartender, circle
one hand in the air and point down
at table, nod at the women, pull up
an unvarnished chair and sit down
under press of buzzed and languid
dead calm nonchalance.
You exchange the usual opening
overtures, worming ways into the core
of everyone’s shared intentions,
look from one to the other, take in
the possibilities to wrestle with.

New Ghosts For Christmas

The ghost of Christmas Past
appeared, shivering, covered
in fur cloaks, frosted cheeks,
frozen nose hairs and eye brows,
and with breath that bellowed
below zero.

The ghost of Christmas Present
is here, comfortable in normal dress
and a Spring jacket, in left over tan,
a complexion the picture of health,
bewildered that but for sooner dark,
’tis a normal day.

The ghost of Chistmas Future
will arrive in surfer shorts
and summer shades, walking in sandals,
skin rife with melanoma, saying “The odds
of snowfall fail cost/benefit analysis
of placing a bet.”

Last Stand

Don’t stand on that clearance sale chair
swept up in circular self isolation.
Don’t stand on that clearance sale chair
believing we will be legends later.
Don’t stand on that clearance sale chair
tightening a tie round your neck
of braided twisted cordage:
one leg of the faux wood chair
creaks and strains under you…
Unsure of itself,
it might give out
before you do.

©2023 David Alec Knight All rights reserved.

Brother Knight

David Alec Knight grew up in Chatham, Ontario, Canada.

He includes his middle name in his pen name as a means of disambiguation, his first and last name being fairly common. It is in response to being ignorantly perceived as a pretension by others that he wrote the poem “Disambiguation”.

In 2021, David was recipient of The Ted Plantos Memorial Award for Poetry. His first book of poetry, The Heart Is A Hollow Organ, soon followed. His second book of poetry, LEPER MOSH, was published by Cajun Mutt Press in 2022. It featured his artwork on the cover. Cajun Mutt Press would also feature a portfolio of his artwork online, as well as publishing his first full color comic story online, WRATH: The Masks We Wear.

Recent poems have appeared in Verse Afire, Cajun Mutt Press Featured Poet, The Lothlorien Poetry Journal and Medusa’s Kitchen. Anthology appearances include By The Wishing Tree, Poets For Ukraine Volume 1, Love Lies Bleeding, Phantom Parade, and The Cajun Mutt Press Halloween Anthology Zine 2022.

David sees dark and light around him in equal measure and that is reflected in his poetry, whether exploring working class themes, neurodivergence, addiction, urban living, our conflict with Nature, and/or the effects all these things have on individuals and relationships.

David works full-time in Long Term Care.

Cajun Mutt Press FeaturedWriter 09/29/23

Skinning Bugs

“You can draw what you want, you can
read what you want, you can stay up late
watching old monster movies if you want…
But you will do this, you are going to do this:
you need to learn skills for the real world!”
My father was yelling at me, but it was not
in anger, it was out of sincere exasperation.

I didn’t want to do it — no way, but I knew
how limited my options were, and my dad
had begun his argument with more gives
than I had yet been granted, all at once.
“Please,” he said. “Do this and then we
will all get on with what’s left of our day.”
I felt the redness of my cheeks, I felt
hornet stings in my eyes, I felt my tears
flow out the stressed dams of my eyes.
He threw the rabbit at my feet…

And as shown, as told,
I skinned the rabbit.

My dad was happy I did it.
When my tears dried, I spent
the rest of my day drawing.

I hated my dad that day
but I have loved him for it.

Slackers

The secret of the slacker is they rarely
make mistakes, so they can present well
to management, and they rarely make
mistakes because they don’t work
hard enough or often enough to create
opportunities for errors to occur.
When hard working staff decide to work
together, leaving the slackers to work
with each other, none of the slackers
will have a hard worker to hide behind,
and be forced to work or else, they will
create a third option for themselves,
and will spend their energies not working,
but work to make hard workers look bad.

The hard-working staff pick up the slack
doing twice the workload which doubles
the potential for mistakes.
When the hard-working staff picking up
the slack of the slacker, doing more work,
and tiring faster, makes a mistake that
shouldn’t have been their mistake to make
in the first place, the slacker will point
in fake righteousness and triumph and say,
“See? See? There, I told you! Do you see?”

… As they stick their nose
up some manager’s starfish.

Fires Of Summer   

How did we sleep
while our forests
were felled by fires,
homes were burned
and lives imperilled?

We have woken up with
smoke choked throats.

3 POEMS FROM LEPER MOSH (Cajun Mutt Press 2022)

How You Hurt

True, you would not hurt a fly,
but is it likely you would help it?
You would await the arrival of another,
to whom you would delegate the duty of aid.

As you wait for this one to arrive,
you would watch the harmed creature writhe,
all the while claiming inability to help.

If no one arrives for you to delegate to,
you will stand idly by, as they say,
and you will watch as life leaves it,
without it ever dawning on you to feel
guilt over your inaction, and lethargy.

True, you would not hurt a fly.

Ascent

She had
the only private room
in the ward.
In there, a scent
of something unknown,
unfamiliar yet, inevitable
greeted your entrance.
You stood
at the foot of her bed.
She broke
the silence
between you,
asked, if you remembered
how she used to look
and you did…
She asked, if you remembered
times she began to speak
but did not continue…
And you did.

It was hard for her to believe
you remembered her beauty
beyond the ravage of the malignant.
Her dreams run dry:
she prayed to drown.

She had
wild
blue-green eyes

not even cancer could steal.

Your bodies
told you once,
you existed.

Nothing was as sacred,
as profane, as the fading warmth.
Her flight left lingering
a remembered scent of a perfume
nameless and indelible.

You perpetuate
the pedestal
she flies from.

Route

Oncoming cars slow:
I walk where pedestrians
are not allowed.
Many well worn
roads cover our world.
You might drive fast,
while I walk along;
you will see wind swept
signs as swift blurs,
only gaining sight
in cracked rear view mirrors.
I will see them all too clearly,
weary at roadside.
Dried clumps and flecks
of dead flies loosen
from grills, wipers, mirrors
in swift passage.
There are always live flies
above road kill.
Roads we choose may
be under construction.
A sniper upon an overpass
may take aim and fire.
Municipal bridges in derelict
ridings may collapse
beneath us as we cross.
You drive. I walk. But if
you break down, I will
walk no further on

©2023 David Alec Knight All rights reserved.

Brother Knight

David Alec Knight grew up in Chatham, Ontario, Canada.

He includes his middle name in his pen name as a means of disambiguation, his first and last name being fairly common. It is in response to being ignorantly perceived as a pretension by others that he wrote the poem “Disambiguation”.

In 2021, David was recipient of The Ted Plantos Memorial Award for Poetry. His first book of poetry, The Heart Is A Hollow Organ, soon followed. His second book of poetry, LEPER MOSH, was published by Cajun Mutt Press in 2022. It featured his artwork on the cover. Cajun Mutt Press would also feature a portfolio of his artwork online, as well as publishing his first full color comic story online, WRATH: The Masks We Wear.

Recent poems have appeared in Verse Afire, Cajun Mutt Press Featured Poet, The Lothlorien Poetry Journal and Medusa’s Kitchen. Anthology appearances include By The Wishing Tree, Poets For Ukraine Volume 1, Love Lies Bleeding, Phantom Parade, and The Cajun Mutt Press Halloween Anthology Zine 2022.

David sees dark and light around him in equal measure and that is reflected in his poetry, whether exploring working class themes, neurodivergence, addiction, urban living, our conflict with Nature, and/or the effects all these things have on individuals and relationships.

David works full-time in Long Term Care.

Cajun Mutt Press Featured Writer 06/28/23

Midlife and Exit Seeking

If I was who they said I was
I wouldn’t still be standing here
before invisible footlights.
I am intractable because I do
consider they may be right.

They send me their averrals
with coercive inferences
and their faint damn stares
because they think I will comply
with their inferred narratives.

There is a merciless social theatre
that has been held over since
before me, because so many
line up, attend it and tend to it
as they are scripted to do.

When I realized I was expected
to perform as everyone else
I realized I had neither the desire,
nor even the required deceit or
guile to put up a show.

No one knows what my line is
until I have thought and spoken.
The rank expectation of me
to don mask and play role
in their duplicitous production
I refuse now, and will continue
to refuse until I know I am
as I wish to originate.

©2023 David Alec Knight All rights reserved.

David Alec Knight

David Alec Knight grew up in Chatham, Ontario, Canada.

He includes his middle name in his pen name as a means of disambiguation, his first and last name being fairly common. It is in response to being ignorantly perceived as a pretension by others that he wrote the poem “Disambiguation”.

In 2021, David was recipient of The Ted Plantos Memorial Award for Poetry. His first book of poetry, The Heart Is A Hollow Organ, soon followed. His second book of poetry, LEPER MOSH, was published by Cajun Mutt Press in 2022. It featured his artwork on the cover. Cajun Mutt Press would also feature a portfolio of his artwork online, as well as publishing his first full color comic story online, WRATH: The Masks We Wear.

Recent poems have appeared in Verse Afire, Cajun Mutt Press Featured Poet, The Lothlorien Poetry Journal and Medusa’s Kitchen. Anthology appearances include By The Wishing Tree, Poets For Ukraine Volume 1, Love Lies Bleeding, Phantom Parade, and The Cajun Mutt Press Halloween Anthology Zine 2022.

David sees dark and light around him in equal measure and that is reflected in his poetry, whether exploring working class themes, neurodivergence, addiction, urban living, our conflict with Nature, and the effects all these things have on relationships.

David works full-time in Long Term Care.

Leper Mosh by David Alec Knight

US
https://www.amazon.com/dp/B0BFWJ41G9

CA
https://www.amazon.ca/dp/B0BFWJ41G9

“David Alec Knight’s ‘Leper Mosh‘ is an amalgamation of beauty and darkness. From waxing nostalgic about a youth of heavy metal, horror films, and comics to turning mirrors into windows of a woman’s soul, this book hits with full-throttle force. Even at its more bittersweet or softer moments, there is an underlying edge that runs the gamut of this book. With lines like: “Outside, distant sirens prowl. We reach for the first dark and our desires make light,” Knight’s repertoire of emotive language makes ‘Leper Mosh‘ a poignant read and a definite keeper. Any fan of poetry will love this book.”
—Heath Brougher, editor-in-chief of Concrete Mist Press

“The secret Knight is letting the reader in on… Well you already know, but you hide from it, you ignore it, you bury it. But, there is no getting past Knight’s willingness to dive into the morose, the malaise and the madness of life. This collection of poems is filled with gems and insight, and an unflinching look at a life unfurled.”
—Rob Azevado (Don’t Order The Calamari, Turning on The Wasp)

New Releases & Forthcoming Titles

Haven’t done a video in a while. Wanted to go over what’s newly available and talk a little about other upcoming releases. You can see a list of all Cajun Mutt Press titles by following the link below. If you grab a copy, please leave a review!

Love Y’all, Write On,
JDCIV
🤟💀

Cajun Mutt Press Featured Writer 02/22/23

Carpet Crawlers

The garbage chute for our building
has been locked by management
for the summer, says the sign.
Now we have to haul all our garbage
down and out the building.

It’s a real pita every time
you do the cat litter,
having to take it down.
You can’t wait until you have
a full garbage bag to take down,
but you can’t leave it either.
An acrid aroma fills the stairwells
and the elevator as well now.

The story goes, somebody visiting
their elderly parent or grandparent
found rancid and rotted foods
in the cupboards and the fridge.
They cleaned it all out, and threw
garbage bags full down the chute.

I don’t know if those bags landed hard
and burst, sending the maggots flying
or if those things inch real fast,
but apparently the next morning
somebody on first floor saw
carpets acrawl with maggots.

©2023 David Alec Knight All rights reserved.

David Alec Knight

While in high school in Chatham, Ontario, David Alec Knight and his parents were told by a teacher there that he would be lucky to finish high school, and certainly wouldn’t make it through university. One of David’s English teachers, Bernard Cameron, saw something in his poems though and encouraged him to pursue his writing. He also attended workshops led by the poet, Ted Plantos, when he was writer-in-residence at the Chatham library.

David’s poems have appeared in the recent anthologies, By The Wishing Tree (2021), Poets For Ukraine – Volume 1 (2022), Muse (2022), and Love Lies Bleeding (2022). Recent poems have appeared in Verse Afire, Cajun Mutt Press and The Lothlorien Poetry Journal.

David’s work journeys honestly through darkness before there is any light, so it is well earned and substantial when there is reprieve. He speaks with his own voice, but he acknowledges as inspiration and influence, Edgar Lee Masters, Carl Sandburg, Gregory Corso, Charles Bukowski, Irving Layton, Ted Plantos, E. J. Pratt, and Paul-Marie Lapointe. Margaret Atwood’s Journals of Susanna Moodie and Irving Layton’s A Wild And Peculiar Joy are most reread in his library.

Since graduating from St. Clair College in 2014/15, David has worked in healthcare as a Personal Support Worker. In 2021, he was recipient of The Ted Plantos memorial Award for Poetry. The Heart Is A Hollow Organ, David’s first book, soon followed.

Leper Mosh (Cajun Mutt Press) is David’s second collection of poems. It is dedicated to his high school English teacher, Bernard Cameron (RIP).