Abyssal Recitations by Heller Levinson (Book Promo)

Heller Levinson is a true wordsmith, and The Abyssal Recitations takes you on a submarine dive into the depths of the poet’s mind. The way these poems roll off the tongue is a work of art. This book isn’t simply a collection of poetry, it’s an educational journey into the abyss of wordplay. A beautifully crafted, well-written, and highly recommended read. Heller Levinson and Concrete Mist Press have done us all a great service in bringing it to the surface of the literary fathoms.
—JDCIV, Founder/Editor-in-Chief of Cajun Mutt Press

Cover Design:

A Few Poems:

Amazon Link:

https://www.amazon.com/Abyssal-Recitations-Heller-Levinson/dp/B0CTHK47XD

Praise:

Whatever you think you know about Heller Levinson, guess again. Levinson’s latest book, The Abyssal Recitations, not only requires the suspension of your disbelief, but also requires a complete reorganization of your sensibility. Hallmark and/or AI rubbish does not live here. Look at his poem “Abyssal Reminiscence” in its entirety:

shortfall evanescent repeal

reel pitch flinch
grate grill cultivate
sow sew stitch
foamcoalesce
surface

From beginning to end, Abyssal Recitations reads this way. The best way to enjoy these poems is to forget how you’ve been taught poetry should read and focus intently upon the relationships that Heller’s lexicon creates, especially the vibrations of sounds and senses his words generate. To apprehend the following lines requires readers to actually experience the poet’s linguistic vibrations as they rattle neurons from their slumber:

verbs incinerate incline grief vowels wish you
were here twine thickens straits thru mewling
chaw wipe bibelot courtesies in the company
of balance thistle thrush threshold thicket
cymbal clunk cadaver slaver skins thins (“Abyssal Abject”).

Concrete Mist Press is known for supporting some of the most unique poetry around today, and Heller Levinson surely belongs on this list of fresh voices. Pour yourself a glass of wine, if you like, but hunker down some place where the nonsense of the world isn’t too much with you and feel those neurons rattle like the tail of a Southeastern Diamondback.

—Alan Britt, author Gunpowder for Single-ball Poems
Towson University

“For my money, Levinson is THE most challenging, interesting, frustrating and brilliant writer on the scene today. His books are NOT easy…and they’re not meant to be! This is not bathroom throwaway, stand-up comedy poetry…this stuff’s legit. It takes work. Buy one and see if you’re up to the task!”

—John Yamrus, author of The Street and People (and other bad ideas)

“Only Heller Levinson’s poetry makes my mind feel like it’s moving in all directions at once. I can go inside the words and feel boundless running space for my imagination. It invites dialogue between the page and the gaze. Love it!”

—Jason Moore

CMP Featured Writers Feb. 2024

Is it just me, or did January feel like an eternity? I had a ton of shit happen in the last four weeks that made the month seem to drag on forever. Some Good; Some Bad. Between the new magazine and all the other projects on my plate–plus the extra surprises that got piled on top–it was a bit of a rocky start to 2024. But, “this ain’t no place for the weary kind.” So I’m pulling up my bootstraps, and marching into February with my head held high. I accomplished the goals I set out to achieve—even if I did hit a few bumps in the road along the way.

Wasn’t sure if I could pull it off, but Night Owl Narrative No.1 kicked off with a BANG!! Enormous thanks to the contributors, and to everyone who grabbed a copy. I’ve been getting nothing but positive feedback. I’m so happy y’all dig it. Now buckle up for No.2! It’s officially available today, and in my opinion, this one is even better!! I want every issue to outshine the last. I’ll have a copy around the 12th to post some pictures of. I’ve got some info inside from Ron Whitehead and Dr. Rory Patrick Feehan about Gonzofest Dublin: Calling The Underground, a column by Leland Locke about the True Crime in Layers podcast by Bob’s Bookstore, and another killer lineup of literature and artwork. Can’t wait for y’all to see this one!

Here are the links:

Night Owl Narrative No.2
https://www.amazon.com/dp/B0CTCJR9LY

Night Owl Narrative No.1
https://www.amazon.com/dp/B0CQVN1WPW

I’m almost finished putting together No.3 as well. I’ll share the list of contributors soon. Stay tuned for details. I’m also about to start working on book manuscripts. Today is the deadline to submit, so get them sent before midnight if you were planning to send one. I’ll get in touch with you soon if you’ve already submitted. Hold Fast.

CMP Bibliography:
(Please leave a review if you grab a book!)
https://cajunmuttpress.com/2021/06/08/cajun-mutt-press-bibliography/

Below you’ll find the list of featured writers for February. If you want to submit some work for a spot, send 1-3 poems to cajunmuttpress@gmail.com for consideration. I have a few spots left to fill for March, then I’ll be reading for April. Send submissions for Night Owl Narrative to the same email. For the magazine, I’m taking artwork, photography, poetry, prose, flash fiction, short stories, columns, articles, interviews, etc. No theme; anything goes. Please include a bio and author photo with ALL submissions!

I’d like to thank everyone who’s accompanied me on this journey throughout the years. I’m looking forward to reading y’all’s work in the year(s) ahead and helping y’all get your words out to the world.

Love Y’all, Write On,
JDCIV
🤟💀📚
🦉🎟️🦇

CMP Featured Writers, Feb. 2024:

OUR WARS
by Gentle S.C. Dragona
02/02/24

SWEET SWEETS WORLD
by David Earl Williams
02/05/24

In my dream I let go
by Roy Duffield
02/07/24

Conscience
by Tony Dawson
02/09/24

The Man Who Is A Planet
by G.M.H. Thompson
02/12/24

Teen Angel
by J.C. Rammelkamp
02/14/24

Kitchen Hand
by Jonathan Butcher
02/16/24

Blaze
by Gopal Lahiri
02/19/24

without you
by Botched Resignation
02/21/24

CRACK MADNESS
by Bradford Middleton
02/23/24

3 POEMS
by Daniel S Irwin
02/26/24

black-tipped shark
by Miriam Sagan
02/28/24

!!COVER REVEAL!!

A Long Walk by John Drudge will be available on Nov. 21st! Featuring cover art by his son, Jacob Drudge.

This collection is the admonition “To walk a mile in someone else’s shoes.” represented in written form. Memories of shining moments and dark corners. In John’s pursuit of happiness and peace of mind. With a desire to live in tune and leave behind a residue of humanness.

I’ll have a copy to post some pics of on the 17th. Brother Drudge will have author copies as well if anyone would like a signed book. Follow the link below to see all CMP titles.

Love Y’all, Write On,
JDCIV
🤟💀

A Long Walk by John P. Drudge

“Poetry seizes a human being and creates an instrument. The poet is not simply a person acting freely, in pursuit of a merely private end, but one who allows poetry to realize its purpose through poems. Poets have moods, personal aims, free will, but as poets they are bearers of a collective humanity, carrying and shaping the conscious and unconscious life of our species. Poetry is an unexplainable mystery. No amount of critical analysis by academics, scholars, and poets can sufficiently describe poetry. Poetry must be experienced to be known. To know a poem we must dance to the edge of then into the fire. John Drudge is an instrument of poetry. He has danced in the fire. He is a poet. His A LONG WALK is a masterpiece.”
—Ron Whitehead, Lifetime Beat Poet Laureate, USA.

Cajun Mutt Press FeaturedWriter 09/29/23

Skinning Bugs

“You can draw what you want, you can
read what you want, you can stay up late
watching old monster movies if you want…
But you will do this, you are going to do this:
you need to learn skills for the real world!”
My father was yelling at me, but it was not
in anger, it was out of sincere exasperation.

I didn’t want to do it — no way, but I knew
how limited my options were, and my dad
had begun his argument with more gives
than I had yet been granted, all at once.
“Please,” he said. “Do this and then we
will all get on with what’s left of our day.”
I felt the redness of my cheeks, I felt
hornet stings in my eyes, I felt my tears
flow out the stressed dams of my eyes.
He threw the rabbit at my feet…

And as shown, as told,
I skinned the rabbit.

My dad was happy I did it.
When my tears dried, I spent
the rest of my day drawing.

I hated my dad that day
but I have loved him for it.

Slackers

The secret of the slacker is they rarely
make mistakes, so they can present well
to management, and they rarely make
mistakes because they don’t work
hard enough or often enough to create
opportunities for errors to occur.
When hard working staff decide to work
together, leaving the slackers to work
with each other, none of the slackers
will have a hard worker to hide behind,
and be forced to work or else, they will
create a third option for themselves,
and will spend their energies not working,
but work to make hard workers look bad.

The hard-working staff pick up the slack
doing twice the workload which doubles
the potential for mistakes.
When the hard-working staff picking up
the slack of the slacker, doing more work,
and tiring faster, makes a mistake that
shouldn’t have been their mistake to make
in the first place, the slacker will point
in fake righteousness and triumph and say,
“See? See? There, I told you! Do you see?”

… As they stick their nose
up some manager’s starfish.

Fires Of Summer   

How did we sleep
while our forests
were felled by fires,
homes were burned
and lives imperilled?

We have woken up with
smoke choked throats.

3 POEMS FROM LEPER MOSH (Cajun Mutt Press 2022)

How You Hurt

True, you would not hurt a fly,
but is it likely you would help it?
You would await the arrival of another,
to whom you would delegate the duty of aid.

As you wait for this one to arrive,
you would watch the harmed creature writhe,
all the while claiming inability to help.

If no one arrives for you to delegate to,
you will stand idly by, as they say,
and you will watch as life leaves it,
without it ever dawning on you to feel
guilt over your inaction, and lethargy.

True, you would not hurt a fly.

Ascent

She had
the only private room
in the ward.
In there, a scent
of something unknown,
unfamiliar yet, inevitable
greeted your entrance.
You stood
at the foot of her bed.
She broke
the silence
between you,
asked, if you remembered
how she used to look
and you did…
She asked, if you remembered
times she began to speak
but did not continue…
And you did.

It was hard for her to believe
you remembered her beauty
beyond the ravage of the malignant.
Her dreams run dry:
she prayed to drown.

She had
wild
blue-green eyes

not even cancer could steal.

Your bodies
told you once,
you existed.

Nothing was as sacred,
as profane, as the fading warmth.
Her flight left lingering
a remembered scent of a perfume
nameless and indelible.

You perpetuate
the pedestal
she flies from.

Route

Oncoming cars slow:
I walk where pedestrians
are not allowed.
Many well worn
roads cover our world.
You might drive fast,
while I walk along;
you will see wind swept
signs as swift blurs,
only gaining sight
in cracked rear view mirrors.
I will see them all too clearly,
weary at roadside.
Dried clumps and flecks
of dead flies loosen
from grills, wipers, mirrors
in swift passage.
There are always live flies
above road kill.
Roads we choose may
be under construction.
A sniper upon an overpass
may take aim and fire.
Municipal bridges in derelict
ridings may collapse
beneath us as we cross.
You drive. I walk. But if
you break down, I will
walk no further on

©2023 David Alec Knight All rights reserved.

Brother Knight

David Alec Knight grew up in Chatham, Ontario, Canada.

He includes his middle name in his pen name as a means of disambiguation, his first and last name being fairly common. It is in response to being ignorantly perceived as a pretension by others that he wrote the poem “Disambiguation”.

In 2021, David was recipient of The Ted Plantos Memorial Award for Poetry. His first book of poetry, The Heart Is A Hollow Organ, soon followed. His second book of poetry, LEPER MOSH, was published by Cajun Mutt Press in 2022. It featured his artwork on the cover. Cajun Mutt Press would also feature a portfolio of his artwork online, as well as publishing his first full color comic story online, WRATH: The Masks We Wear.

Recent poems have appeared in Verse Afire, Cajun Mutt Press Featured Poet, The Lothlorien Poetry Journal and Medusa’s Kitchen. Anthology appearances include By The Wishing Tree, Poets For Ukraine Volume 1, Love Lies Bleeding, Phantom Parade, and The Cajun Mutt Press Halloween Anthology Zine 2022.

David sees dark and light around him in equal measure and that is reflected in his poetry, whether exploring working class themes, neurodivergence, addiction, urban living, our conflict with Nature, and/or the effects all these things have on individuals and relationships.

David works full-time in Long Term Care.

Now Available From Cajun Mutt Press

Fear Of Falling Backwards by Ian Mullins

https://www.amazon.com/dp/B0CJ4F7DW9

The poems in this collection put you in the middle of an internal boxing match between the author and his thoughts. The lines are jabs and uppercuts to the mind. You feel every punch thrown as you go through this book, and they hit hard. Each ring of the bell brings in a new contender, as Ian fights 15 rounds with life itself. Going toe to toe with darkness and light.
—JDCIV Founder/Editor-in-Chief of Cajun Mutt Press, author of Bad Weed Never Dies

Cover Art by JDCIV

“Ian Mullins renders the brutality of being. Like Samuel Beckett, Francis Bacon, William S. Burroughs before him, Mullins chronicles bleakly the human condition. His self crucifixion, lowered sights with little to no expectation, does not lead to a personal resurrection or salvation. Yet in the darkness a radiance is revealed in lines like, “remembering how you love cloudless nights, when even the stars glow cold.” The Fear of Falling Backwards is a journey through darkness. The brilliant poems of Ian Mullins are worth the toll for the road.”
—Ron Whitehead, U.S. National Beat Poet Laureate, author of Adventures of Brain Man

“The poems in Ian Mullins’ book take us to dark places where he pulls off a masterful balancing act between mystery and joy, and futility and impending doom. There are fighting words between these pages and some fine writing too.”
—Mark Berriman, author of Holding the Door for Barbarians

All CMP Titles:
https://cajunmuttpress.com/2021/06/08/cajun-mutt-press-bibliography/