Haven’t done a video in a while. Wanted to go over what’s newly available and talk a little about other upcoming releases. You can see a list of all Cajun Mutt Press titles by following the link below. If you grab a copy, please leave a review!
Tales From The Rotten Land is a mind-bending mixture of artwork and flash fiction by the talented Efe Tuşder. Stories about demons, sex, gore, interdimensional beings, existential crises, and other normal daily nuances; all laced with a touch of gallows humor and Efe’s beautifully macabre images. Also featuring cover art by JDCIV.
“Efe Tusder’s TALES FROM THE ROTTEN LAND is a more concentrated look at Narc Planet…the world we already live on…what if everything was reversed? Instead of artificial beauty hiding truth, horrid yet genuine truth spilled over the glitzy veil…from spitting on your breakfast plate to being the man who tried to split his skull. You’ll be splatter house appalled into enlightenment.” —Mike Zone, EIC of Dumpster Fire Press
“This addictive little book is aptly titled. Mark Berriman’s words open portals into realms where ghostly barbarian voices sing in an indomitable language of the heart. This is poetic expression at its finest. Courageous. Authentic. Vulnerable. Raw. And more fun than a crackhead wedding. Respek!” —Jonathan Shaw (Author of Narcisa – Our Lady of Ashes, and Scab Vendor – Confessions of a Tattoo Artist)
“This is the most interesting poetry I have read in a long time and I RECOMMEND THAT YOU GO OUT AND BUY IT! From a drunken, drug taking lyric writer.” —Shane MacGowan, Singer/Songwriter/Frontman of The Pogues
“Mark Berriman’s Holding the Door for Barbarians is a daring dance with the dickens that will both disturb and delight.” —John Burroughs, US Beat Poet Laureate
The garbage chute for our building has been locked by management for the summer, says the sign. Now we have to haul all our garbage down and out the building.
It’s a real pita every time you do the cat litter, having to take it down. You can’t wait until you have a full garbage bag to take down, but you can’t leave it either. An acrid aroma fills the stairwells and the elevator as well now.
The story goes, somebody visiting their elderly parent or grandparent found rancid and rotted foods in the cupboards and the fridge. They cleaned it all out, and threw garbage bags full down the chute.
I don’t know if those bags landed hard and burst, sending the maggots flying or if those things inch real fast, but apparently the next morning somebody on first floor saw carpets acrawl with maggots.
While in high school in Chatham, Ontario, David Alec Knight and his parents were told by a teacher there that he would be lucky to finish high school, and certainly wouldn’t make it through university. One of David’s English teachers, Bernard Cameron, saw something in his poems though and encouraged him to pursue his writing. He also attended workshops led by the poet, Ted Plantos, when he was writer-in-residence at the Chatham library.
David’s poems have appeared in the recent anthologies, By The Wishing Tree (2021), Poets For Ukraine – Volume 1 (2022), Muse (2022), and Love Lies Bleeding (2022). Recent poems have appeared in Verse Afire, Cajun Mutt Press and The Lothlorien Poetry Journal.
David’s work journeys honestly through darkness before there is any light, so it is well earned and substantial when there is reprieve. He speaks with his own voice, but he acknowledges as inspiration and influence, Edgar Lee Masters, Carl Sandburg, Gregory Corso, Charles Bukowski, Irving Layton, Ted Plantos, E. J. Pratt, and Paul-Marie Lapointe. Margaret Atwood’s Journals of Susanna Moodie and Irving Layton’s A Wild And Peculiar Joy are most reread in his library.
Since graduating from St. Clair College in 2014/15, David has worked in healthcare as a Personal Support Worker. In 2021, he was recipient of The Ted Plantos memorial Award for Poetry. The Heart Is A Hollow Organ, David’s first book, soon followed.
Leper Mosh (Cajun Mutt Press) is David’s second collection of poems. It is dedicated to his high school English teacher, Bernard Cameron (RIP).
Victory Slab by Ryan Quinn Flanagan is now available from Cajun Mutt Press!! Cover art by JDCIV, blurbs by Mike Zone & Tony Brewer. Please leave a review if you grab a copy. Message me your address and a pic of you holding the book or a screenshot of the receipt, and I’ll mail you some CMP logo stickers!
This is our final book publication of 2022, and I’d like to thank y’all for the love and support this year. Keep your eyes peeled for details about our first 2023 release coming soon as well!
“Lay me out on the Victory Slab ‘cause the realm of poetry has been conquered again by RQF Flanagan bludgeons the perception of contemporary poetry with a sledgehammer to the chest shattering the sickening parade of: broken hearts, purposely unresolved trauma and snobbish elitism with a sledgehammer of truth…the hammer is still dirty though and…fun.” —Mike Zone Editor in Chief of Dumpster Fire Press, Author of Fuck You: A Fucking Poetry Chap
“Victory Slab by Ryan Quinn Flanagan offers shoot-from-the-hip observations like an unfolding docudrama, part pulp fiction, part ripped-from-the-headlines, always grounded in visceral plainspoken reality. Hard-luck lessons elbowed out of the way by blind-lucky bastids, and many fraught moments brought to heel by earnest tenderness directed at real people by real people. Serious business. But this collection is also funny, in all senses, from ELL OH ELL to mere mild exhalations through the nose, as well as my favorite flavor: weird. The farted-upon couch. The dime store ronin. The flirty wafer-thin waitress making your wife jelly. “[R]oving blood goons with veiny neck effort / and pillows for fists.” These poems are nuts and you’ll love them for it.” —Tony Brewer, author of psithurism and Pity for Sale
Victory Slab by Ryan Quinn Flanagan CoverArt by JDCIV Blurbs by Mike Zone & Tony Brewer